
The on-camera spotmeter (spot meter / partial meter) is
the most powerful exposure tool in the world. Read the following technique and decide for
yourself if you understand the concept. If you do understand everything
and you can apply the technique described and produce correctly exposed images, then that
is all you need! In this case you can your money and spend it on more enjoyable things in
life! If, however, you even have the slightest doubt about this technique, or if you are
still the least bit confused, this book is for you.
Remember: either you know how to use your on-camera spot meter effectively or you
dont. There is no in-between! I believe this is the simplest, easiest, best
illustrated, and most practical book about on-camera spot metering in the world.
If you do not want to read the book titled
"the confused photographer's guide to on-camera spotmetering (spot metering / partial
metering)
ISBN: 0966081706" simply read the following:
Cheat sheet: The entire spotmetering
section condensed onto one page (well almost!)
(Based on Farzad's 5-stop Film
/ Digital Zone System ©1987-2005)

 | Set the ISO dial of your
Pentax Digital Spotmeter to 100. To avoid confusion and simplify things, in this
book we will increase and decrease the exposure by opening-up and closing-down the
aperture. The shutter speed during our entire approach will remain fixed at 1/125.
|
 | Observe your subject and break it down
into its simple subject (single tone) components. Choose a Reference Tone. A
Reference Tone is a simple tone, usually chosen from the most important part of the
subject. Once you have selected the Reference Tone, point your spotmeter at this tone and
find its normal exposure. If your subject does not have a distinct single tone and you are
using slide film, pick out a tone (eliminate color) that is bright/white, light gray, or
medium gray (in this order). If you are using a negative film, pick out a tone that that
is medium gray or darker.
Lets assume the "normal exposure" indicated by your camera for this
Reference Tone is 125@f-8 (i.e., 1/125 sec. at an aperture opening of 8).
As you may know, the spotmeters "normal exposure" from any
simple (single toned) surface will always provide the photographer with an 18% gray image
tone.
The image tone that your normal exposure provides is
independent of the original tone of your subject. It is absolutely
essential that you understand this point. The following is an
illustration:
|
 | In spotmetering, converting
the "normal exposure" to the "correct exposure" is what a photographer
must do. In other words, the "normal exposure" readings of the spotmeter must be
interpreted by the photographer to determine the subjects "correct
exposure." The principle behind this simplified technique is that if one tone of a complex subject is exposed correctly, the rest of the
tones follow and will also be correctly exposed . Now decide which one of the
following tones would most closely matches your Reference Tone: Black, Dark Gray, Medium
Gray, Light Gray or White. With this simplified technique you must choose one of these
five tones. Once you have decided which one of these five tones best matches your
Reference Tone, then adjust your camera settings accordingly:
|
 | If you chose Black, you need
to decrease the "normal exposure" setting by two stops. Closing- down the
aperture by two stops converts the 18% gray image tone to Black. The correct exposure is
now 125@f-16.
|
 | If you chose Dark Gray, you
need to decrease the "normal exposure" setting by one stop. Closing- down the
aperture by one stop converts the 18% gray image tone to Dark gray. The correct exposure
is now of 125@f-11.
|
 | If you chose Medium Gray,
leave the aperture and shutter speed as they are since the meter is already creating an
18% gray (Medium Gray) image tone, i.e., the tone of the image matches the approximate
tone of the Reference Tone. Also remember that when metering from a medium gray surface,
the "normal exposure" and "correct exposure" settings are
approximately the same.
|
 | If you chose Light Gray, you
need to increase the "normal exposure" setting by one stop. Opening-up the
aperture by one stop converts the 18% gray image tone to Light Gray. This results in a
correct exposure of 125@f-5.6.
|
 | If you chose White, you need
to increase the "normal exposure" setting by two stops. Opening-up the aperture
by two stops converts the 18% gray image tone to White. The correct exposure is now
125@f-4.
|
 |

|
| Why this book | The Author | Back Cover | Appendix |
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